{"id":1179,"date":"2023-09-11T10:37:00","date_gmt":"2023-09-11T13:37:00","guid":{"rendered":"https:\/\/svrsound.com\/?p=1179"},"modified":"2026-09-30T14:50:09","modified_gmt":"2026-09-30T17:50:09","slug":"preservacion-de-archivos-historicos-del-teatro-colon-el-desafio-callas-tension-acustica-y-el-arte-de-la-cancion","status":"publish","type":"post","link":"https:\/\/svrsound.com\/es\/preservacion-de-archivos-historicos-del-teatro-colon-el-desafio-callas-tension-acustica-y-el-arte-de-la-cancion\/","title":{"rendered":"Preservaci\u00f3n de Archivos Hist\u00f3ricos del Teatro Col\u00f3n: <br>El Desaf\u00edo Callas, Tensi\u00f3n Ac\u00fastica y el Arte de la Canci\u00f3n"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Nuevos avances en la serie Heritage Collection Live sobre registros de Mar\u00eda Callas (1949), Astor Piazzolla y su Conjunto 9 (17\/08\/1972) y Horacio Salg\u00e1n, Roberto Goyeneche y Edmundo Rivero (17\/08\/1972).<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" width=\"700\" height=\"360\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2025\/05\/Teatro-Colon-logo-bn-marquesina.jpg\" alt=\"\" class=\"wp-image-67\" style=\"aspect-ratio:1.9444983965390117;width:424px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2025\/05\/Teatro-Colon-logo-bn-marquesina.jpg 700w, https:\/\/svrsound.com\/wp-content\/uploads\/2025\/05\/Teatro-Colon-logo-bn-marquesina-300x154.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RIGOR T\u00c9CNICO ANTE LA COMPLEJIDAD DEL ARCHIVO VIVO<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En este segundo reporte de avances para la serie <em>Heritage Collection Live<\/em> del Teatro Col\u00f3n, abordamos registros marcados por condiciones de captura de alta complejidad. Trabajar con archivos hist\u00f3ricos exige evitar intervenciones estandarizadas que esterilicen el sonido; nuestro compromiso con la fidelidad t\u00edmbrica implica rescatar la vivacidad y la espacialidad del escenario sin enmascarar la naturaleza de sus fuentes originales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LOS PROYECTOS EN PROCESO<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1. Mar\u00eda Callas \u2013 El Desaf\u00edo Callas (1949)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"869\" height=\"1024\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-869x1024.jpg\" alt=\"\" class=\"wp-image-1180\" style=\"aspect-ratio:0.8486265341905318;width:493px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-869x1024.jpg 869w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-255x300.jpg 255w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-768x905.jpg 768w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-1304x1536.jpg 1304w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-1738x2048.jpg 1738w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14-10x12.jpg 10w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/TURANDOT-1949-14.jpg 2005w\" sizes=\"(max-width: 869px) 100vw, 869px\" \/><figcaption class=\"wp-element-caption\">Mar\u00eda Callas \/ Turandot  - Teatro Col\u00f3n 1949<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Repertorio documentado:<\/strong> <br>Bellini: <em>Norma<\/em> (Selecci\u00f3n de las funciones del 17 de junio y Funci\u00f3n de Gala del 9 de julio de 1949).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El desaf\u00edo:<\/strong> Trabajar sobre el \u00fanico testimonio grabado real de Mar\u00eda Callas en el Teatro Col\u00f3n: las hist\u00f3ricas transmisiones radiales en directo de <em>Norma<\/em> de 1949, incluyendo la emblem\u00e1tica Funci\u00f3n de Gala del 9 de Julio. Dadas las limitaciones del ancho de banda AM y la precariedad de la captura de \u00e9poca, el registro no solo conserva improntas del aire \u2014como el distintivo \"pip\" de la se\u00f1al horaria\u2014, sino tambi\u00e9n la severa acci\u00f3n de la compresi\u00f3n radial original, que genera abruptas \"explosiones de volumen\" al pasar de pasajes de amplio rango din\u00e1mico o silencios a frases de gran intensidad. <br><strong>La restauraci\u00f3n:<\/strong> El trabajo exige un rebalanceo t\u00e9cnico minucioso, frase a frase y segundo a segundo, para corregir el comportamiento del compresor radial y devolver una continuidad din\u00e1mica natural. Se intenta preservar el documento radial con m\u00e1xima nitidez interpretativa, logrando que la proyecci\u00f3n dram\u00e1tica de Callas \"corte\" a trav\u00e9s de la trama del aire sin tornar la voz met\u00e1lica ni restarle cuerpo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"><strong>2. Astor Piazzolla y su Conjunto 9 \u2013 Concierto S.A.D.A.I.C. (17\/08\/1972)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"991\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-1024x991.jpg\" alt=\"\" class=\"wp-image-1184\" style=\"aspect-ratio:1.0332938328710208;width:524px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-1024x991.jpg 1024w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-300x290.jpg 300w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-768x743.jpg 768w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-1536x1486.jpg 1536w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-2048x1982.jpg 2048w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Astor-Piazzolla-Close-Up-12x12.jpg 12w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Formaci\u00f3n Hist\u00f3rica:<\/strong> Astor Piazzolla (bandone\u00f3n), Osvaldo Tarantino (piano), Antonio Agri y Hugo Baralis (violines), N\u00e9stor Pani (viola), Jos\u00e9 Bragato (violoncello), Enrique D\u00edaz (contrabajo), Oscar L\u00f3pez Ruiz (guitarra el\u00e9ctrica) y Jos\u00e9 Correale (percusi\u00f3n).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El desaf\u00edo:<\/strong> Capturar al Conjunto 9 en el concierto organizado por S.A.D.A.I.C. supuso una coexistencia compleja entre la ac\u00fastica l\u00edrica del Col\u00f3n y la presencia de instrumentaci\u00f3n el\u00e9ctrica y percusi\u00f3n (guitarra el\u00e9ctrica y bater\u00eda). Las cintas originales reflejan esa saturaci\u00f3n y tensi\u00f3n de \u00e9poca.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La restauraci\u00f3n:<\/strong> En lugar de higienizar o \"aplanar\" el sonido para imitar un registro de estudio moderno, mantuvimos el impacto f\u00edsico y la agresividad expresiva de la ejecuci\u00f3n. La labor restituy\u00f3 la definici\u00f3n tridimensional y el ataque de los instrumentos \u2014que en copias no oficiales terminaba degradado en un bloque indivisible de ruido\u2014, dejando escuchar la fricci\u00f3n natural entre el sonido amplificado y la resonancia de la sala.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"><strong>MUESTRA DE AUDIO DE REFERENCIA<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"><strong>Obra:<\/strong>&nbsp;&nbsp; <em>Fuga y Misterio<\/em> (Astor Piazzolla)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A qu\u00e9 prestar atenci\u00f3n:<\/strong> Observe el ataque del bandone\u00f3n y las cuerdas, la tridimensionalidad del conjunto y c\u00f3mo se preserv\u00f3 la tensi\u00f3n de la guitarra el\u00e9ctrica y se recuper\u00f3 el cuerpo de la percusi\u00f3n en el recinto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-ast-global-color-5-color\">Fuente Original - Fuga y Misterio - Astor Piazzolla y su conjunto 9 - 17 de Agosto de 1972<\/mark><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/03-Original-Piazzolla-Fuga-y-Misterio.wav\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-ast-global-color-5-color\">Restauraci\u00f3n SVR SOUND 2023 - Fuga y Misterio - Astor Piazzolla y su conjunto 9 - 17 de Agosto de 1972<\/mark><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/03.1-Restaurado-Piazzolla-Fuga-y-Misterio.wav\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"><strong>3. Horacio Salg\u00e1n, Roberto Goyeneche y Edmundo Rivero \u2013 Concierto S.A.D.A.I.C. (17\/08\/1972)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"791\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1-1024x791.jpg\" alt=\"\" class=\"wp-image-1190\" style=\"aspect-ratio:1.2945590856470848;width:396px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1-1024x791.jpg 1024w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1-300x232.jpg 300w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1-768x594.jpg 768w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1-1536x1187.jpg 1536w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1-16x12.jpg 16w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/vlcsnap-2023-11-29-12h46m47s065_1-LAY01-despues1.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Horacio Salg\u00e1n (piano) y su Orquesta T\u00edpica, Roberto Goyeneche (voz), Edmundo Rivero (voz)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El desaf\u00edo:<\/strong> Registrar dos est\u00e9ticas vocales contrapuestas y la particular pulsaci\u00f3n del piano de Salg\u00e1n en la misma jornada hist\u00f3rica del 17 de agosto de 1972, donde la acumulaci\u00f3n de frecuencia`s medias en el teatro opacaba los matices de la dicci\u00f3n y la trama orquestal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La restauraci\u00f3n:<\/strong> Se busc\u00f3 la separaci\u00f3n fina entre el ataque percusivo y arm\u00f3nico del piano de Salg\u00e1n, el detalle del arreglo orquestal y las caracter\u00edsticas de cada int\u00e9rprete: la resonancia grave de Rivero y el fraseo \u00fanico de Goyeneche. El resultado restituye el entramado instrumental y la intimidad del di\u00e1logo vocal respetando la ac\u00fastica de la sala.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><strong>MUESTRA DE AUDIO DE REFERENCIA<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obra:<\/strong> <em>Alma de loca<\/em> (Guillermo Cavazza-Jacinto Font)  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A qu\u00e9 prestar atenci\u00f3n:<\/strong> Escuche la recuperaci\u00f3n de arm\u00f3nicos que restituye la textura f\u00edsica de la voz de Goyeneche y la nitidez renovada en la lectura del arreglo orquestal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-ast-global-color-5-color\">Fuente Original - Alma de Loca - H. Salg\u00e1n y su Orquesta T\u00edpica  &amp; R. Goyeneche - 17 de Agosto de  1972<\/mark><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Alma-de-Loca-Original-Salgan-Goyeneche.wav\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-ast-global-color-5-color\">Restauraci\u00f3n SVR SOUND - Alma de Loca - H. Salg\u00e1n y su Orquesta T\u00edpica &amp; R. Goyeneche - 17 de Agosto de 1972<\/mark><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Alma-de-loca-Restaurado.wav\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pr\u00f3ximo Lanzamiento:<\/strong> Estos t\u00edtulos restaurados formar\u00e1n parte del cat\u00e1logo de la serie <strong>Heritage Collection Live<\/strong>, que estar\u00e1n disponibles en todas las plataformas digitales a comienzos del mes de diciembre.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" width=\"700\" height=\"360\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2025\/05\/Teatro-Colon-logo-bn-marquesina.jpg\" alt=\"\" class=\"wp-image-67\" style=\"width:506px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2025\/05\/Teatro-Colon-logo-bn-marquesina.jpg 700w, https:\/\/svrsound.com\/wp-content\/uploads\/2025\/05\/Teatro-Colon-logo-bn-marquesina-300x154.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nuevos avances en la serie Heritage Collection Live sobre registros de Mar\u00eda Callas (1949), Astor Piazzolla y su Conjunto 9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1180,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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avances en la serie Heritage Collection Live sobre registros de Mar\u00eda Callas (1949), Astor Piazzolla y su Conjunto 9 [&hellip;]","_links":{"self":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts\/1179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/comments?post=1179"}],"version-history":[{"count":6,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts\/1179\/revisions"}],"predecessor-version":[{"id":1255,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts\/1179\/revisions\/1255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/media\/1180"}],"wp:attachment":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/media?parent=1179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/categories?post=1179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/tags?post=1179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}