{"id":1125,"date":"2026-09-11T12:55:09","date_gmt":"2026-09-11T15:55:09","guid":{"rendered":"https:\/\/svrsound.com\/?p=1125"},"modified":"2026-09-11T19:34:09","modified_gmt":"2026-09-11T22:34:09","slug":"smiley-lewis-las-grabaciones-historicas-de-nueva-orleans-1952-1955","status":"publish","type":"post","link":"https:\/\/svrsound.com\/es\/smiley-lewis-las-grabaciones-historicas-de-nueva-orleans-1952-1955\/","title":{"rendered":"Smiley Lewis: Las Grabaciones Hist\u00f3ricas de Nueva Orleans 1952-1955"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Restauraci\u00f3n cr\u00edtica de una de las voces m\u00e1s potentes en la historia del Rhythm &amp; Blues<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En SVR SOUND estamos trabajando en  la restauraci\u00f3n sonora de las sesiones legendarias de Smiley Lewis (Overton Amos Lemons) registradas entre 1952 y 1955. <br>Grabadas en el legendario estudio J&amp;M de Cosimo Matassa en Nueva Orleans, estos registros capturan el momento de mayor madurez de Smiley Lewis, un artista con una fuerza vocal volc\u00e1nica.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-1024x1024.jpg\" alt=\"\" class=\"wp-image-1126\" style=\"width:388px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-1024x1024.jpg 1024w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-300x300.jpg 300w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-150x150.jpg 150w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-768x768.jpg 768w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-1536x1536.jpg 1536w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-12x12.jpg 12w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis.jpg 1900w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Smiley Lewis<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00daSICOS QUE MARCARON EL SONIDO DE UNA \u00c9POCA Y ESTILO<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Smiley Lewis:<\/strong> Voz y guitarra<\/li>\n\n\n\n<li><strong>Dave Bartholomew:<\/strong> Trompeta, arreglos y direcci\u00f3n<\/li>\n\n\n\n<li><strong>Pianos:<\/strong> \"Tuts\" Washington, Edward Frank, Huey Smith y Fats Domino<\/li>\n\n\n\n<li><strong>Secci\u00f3n de Vientos (Brass):<\/strong> Joe Harris (saxo alto), Herb Hardesty y Lee Allen (saxos tenores)<\/li>\n\n\n\n<li><strong>Base R\u00edtmica:<\/strong> Ernest McLean (guitarra), Frank Fields (bajo), Earl Palmer y Cornelius Coleman (bater\u00eda)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AQU\u00cd 2 ANTICIPOS DE RESTAURACI\u00d3N SVR SOUND<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>En qu\u00e9 prestar atenci\u00f3n:<\/strong> <br>Note la claridad con la que emerge la voz principal por encima del ritmo y c\u00f3mo la secci\u00f3n de <em>brass<\/em> responde con nitidez, permitiendo seguir el tejido del piano de Fats Domino y el pulso r\u00edtmico de la bater\u00eda sin que los instrumentos se solapen<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/19-Down-The-Road.wav\"><\/audio><figcaption class=\"wp-element-caption\">Down The Road (Dave Bartholomew-Overton Amos Lemons) December 14th. 1953 New Orleans<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>En qu\u00e9 prestar atenci\u00f3n:<\/strong> <br>Observe la textura del viento y la recuperaci\u00f3n de los arm\u00f3nicos en los ataques vocales de Lewis. A pesar del volumen y la fuerza de la interpretaci\u00f3n, cada instrumento ocupa su propio espacio en la mezcla final.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/26-Too-Many-Drivers.wav\"><\/audio><figcaption class=\"wp-element-caption\">Too Many Drivers (Big Bill Broonzy) (September 8th.1954 New Orleans)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfQU\u00c9 PODR\u00c1 APRECIAR EL OYENTE EN ESTA RESTAURACI\u00d3N?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las grabaciones originales de los a\u00f1os 50 sol\u00edan enfrentar serios l\u00edmites de espacio y saturaci\u00f3n. <br>Nuestro trabajo en SVR SOUND no consisti\u00f3 en \"limpiar\" mec\u00e1nicamente la fuente original hasta volverla est\u00e9ril, sino en realizar un rescate quir\u00fargico para <strong>recuperar la transparencia sonora<\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Los arm\u00f3nicos de una voz formidable:<\/strong> Despejamos la saturaci\u00f3n que sol\u00eda envolver la voz de Smiley Lewis. Ahora es posible percibir el grosor, los matices y el alcance natural de sus arm\u00f3nicos vocales sin perder el grano anal\u00f3gico original.<\/li>\n\n\n\n<li><strong>Separaci\u00f3n y transparencia de la secci\u00f3n de<\/strong> <strong><em>brass<\/em><\/strong><strong>:<\/strong> Los saxos (alto y tenor) y la trompeta de Bartholomew dejan de sonar como un bloque denso o comprimido. La restauraci\u00f3n permite distinguir cada l\u00ednea mel\u00f3dica y el timbre individual de cada instrumento de viento.<\/li>\n\n\n\n<li><strong>Respeto a la est\u00e9tica anal\u00f3gica:<\/strong> Mantuvimos intencionalmente ciertas saturaciones originales que ya forman parte de la identidad y del lenguaje est\u00e9tico de la \u00e9poca, logrando que la m\u00fasica gane en definici\u00f3n pero conserve su empuje y rusticidad natural.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">PRESERVACI\u00d3N DEL LENGUAJE ART\u00cdSTICO:<br>Nuestra meta final es que el oyente actual no solo escuche un registro antiguo, sino que pueda <strong>comprender la propuesta de lenguaje art\u00edstico y est\u00e9tico<\/strong> que propon\u00edan Smiley Lewis y su notable grupo de m\u00fasicos. Al devolverle la transparencia a la grabaci\u00f3n, permitimos que la energ\u00eda viva de aquellas sesiones de Nueva Orleans se escuche hoy con el respeto y la fidelidad que merecen.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"665\" src=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Smiley-Lewis-Herman-Seals-Isidore-Tuts-Washington-circa-1950-1024x665.jpg\" alt=\"Smiley Lewis-Herman Seals-Isidore Tuts Washington- circa 1950\" class=\"wp-image-1129\" style=\"aspect-ratio:1.5398588430543414;width:639px;height:auto\" srcset=\"https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Smiley-Lewis-Herman-Seals-Isidore-Tuts-Washington-circa-1950-1024x665.jpg 1024w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Smiley-Lewis-Herman-Seals-Isidore-Tuts-Washington-circa-1950-300x195.jpg 300w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Smiley-Lewis-Herman-Seals-Isidore-Tuts-Washington-circa-1950-768x499.jpg 768w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Smiley-Lewis-Herman-Seals-Isidore-Tuts-Washington-circa-1950-18x12.jpg 18w, https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Smiley-Lewis-Herman-Seals-Isidore-Tuts-Washington-circa-1950.jpg 1456w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Smiley Lewis-Herman Seals-Isidore Tuts Washington- circa 1950<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Restauraci\u00f3n cr\u00edtica de una de las voces m\u00e1s potentes en la historia del Rhythm &amp; Blues En SVR SOUND estamos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1126,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-assignment"],"uagb_featured_image_src":{"full":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis.jpg",1900,1900,false],"thumbnail":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-150x150.jpg",150,150,true],"medium":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-300x300.jpg",300,300,true],"medium_large":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-768x768.jpg",768,768,true],"large":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-1024x1024.jpg",1024,1024,true],"1536x1536":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-1536x1536.jpg",1536,1536,true],"2048x2048":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis.jpg",1900,1900,false],"trp-custom-language-flag":["https:\/\/svrsound.com\/wp-content\/uploads\/2026\/09\/Sam-Lewis-12x12.jpg",12,12,true]},"uagb_author_info":{"display_name":"Roberto","author_link":"https:\/\/svrsound.com\/es\/author\/roberto\/"},"uagb_comment_info":0,"uagb_excerpt":"Restauraci\u00f3n cr\u00edtica de una de las voces m\u00e1s potentes en la historia del Rhythm &amp; Blues En SVR SOUND estamos [&hellip;]","_links":{"self":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts\/1125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/comments?post=1125"}],"version-history":[{"count":6,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts\/1125\/revisions"}],"predecessor-version":[{"id":1145,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/posts\/1125\/revisions\/1145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/media\/1126"}],"wp:attachment":[{"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/media?parent=1125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/categories?post=1125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/svrsound.com\/es\/wp-json\/wp\/v2\/tags?post=1125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}